Dublin Core
Title
Squarcialupi Codex
Subject
This manuscript is one of the most refined of the Italian music manuscripts copied during the first 20 years of the 15th century by the scriptorium of Santa Maria degli Angeli in Florence. The Squarcialupi Codex is richly illuminated with gold leaf applied throughout. This manuscript is the largest source of music of the 14th century and contains the work of some of the greatest composers of the time, including Francesco Landini and Giovanni da Cascia.
Description
The facsimile of the Squarcialupi Codex provides the contemporary viewer with not only a window into luxurious music compositions, but also the book-making process, as it is unfinished. The illuminations are brightly colored, mimicking the original, but the use of a reflective gold acts to hammer home to the viewer the abundant use of gold leaf employed in the Squarcialupi Codex. The facsimile and commentary are housed together in a large box measuring 320 x 460 mm, with a leather-covered spine with gold stamping.
Creator
Monastery of Santa Maria degli Angeli, Florence
Source
Facsimile: UNT Willis Library Sandborn Reading Room, Call Number: ML96.4 .S8 1992
Original MS: Florence, Biblioteca Medicea Laurenziana, MS Palatino 87
Original MS: Florence, Biblioteca Medicea Laurenziana, MS Palatino 87
Publisher
Florence: Giunti Barbera
Date
Facsimile: 1992
Original MS: 1410-1415
Original MS: 1410-1415
Contributor
Facsimile Editor: F. Alberto Gallo
Rights
Lucca: Libreria musicale italiana
Relation
12 hommages a Paul Sacher: pour violoncelle
The Douce Apoclaypse
The Douce Apoclaypse
Format
2 v. (287 p; 216 leaves of music): ill; 43 cm
Language
Facsimile: Italian
Commentary: Italian, English
Commentary: Italian, English
Type
Music Manuscript Facsimile
Identifier
Owned by Florentine organist Antonio Squarcialupi
Coverage
Italian, Renaissance, 15th century
Prepared by Carly Burdette
Prepared by Carly Burdette